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Guidance

by Ian Steinberg

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    Deluxe 12" 33 1/3 vinyl in a gorgeous semi-gloss finish with printed sleeve and insert.

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1.
Bad Luck 03:32
Jumpin’ Jack rabbit robbin’ my scratch ticket Lickety split to the exit, don’t look back. Confound me, don’t surround me I’m known to kick fits when the slick bitches snitch. Woah, luck runnin’ out again. As a soldier I thought I told ya, Obey a command, now are you my man? Yes general, my men were all memorable Sticking with each other even at their own funeral Woah, luck runnin’ out again Is there any way out of this black hole? Is there any way I can save my soul? Woah, I can save my Pretty penny oh won’t you tell me To get a good meal instead of bottles of this swill Bubbly bottle, clutchin’ the throttle To be a role model got to get your head straight. Woah, luck runnin out again. And this bench will become my bed To lay my head, goddamn I need rest. Dreams of war are at my door With a roarin’ score goal lighting up the forest floor. Woah, luck running out again. Is there any way out of this black hole? Is there any way I can save my soul? I can save my soul?
2.
It’s been a warm winter Considering the years My bones pin like splinters It’s all I can hear Tired of nostalgia Tired of future fears Tired of remembering Won’t ever be clear Why, why can’t I ever be here Nor there, Nor anywhere Let’s talk about the weather Laugh with those good tears Forget about the war, poor, and state of Earth Over a nice cold beer But that’s if I’m out of bed But it’s so warm in here Huddled in my underwear Knowing night draws near Why, why can’t I ever be here Nor there, Nor anywhere But in my skull, in my thoughts In my curdled sense of self perception Why oh why can’t I ever be here Tired of nostalgia Tired of future fears Tired of remembering Won’t ever be clear Why, why can’t I ever be here Nor there, Nor anywhere But in my skull, in my thoughts In my curdled sense of self perception Why oh why can’t I ever be here Here, nor there, nor anywhere
3.
Honey won’t you come back home I’ve been really missing you Honey won’t you come back Everyday is colder without you here with me I don’t know how long it’s been But I’ve been cooking for two And the meals are going bad in the fridge And I know I should’ve stopped long ago But to acknowledge that would Send me down a path I just don’t wanna go Sweet whispers on the wind Tell me you’ll be close again Honey won’t you come back home I’ve been really missing you Honey won’t you come back Everyday is colder without you here with me I wish I could forget that note The empty drawers and the cool wind Blowing through that swinging door And I guess it comes as no surprise I just wish I had acted When I still had time Sweet whispers in my head Remind me of when we shared a bed Honey won’t you come back home I’ve been really missing you Honey won’t you come back Everyday is colder without you here with me Honey won’t you come back home I’ve been really missing you Honey won’t you come back Everyday is colder without you here with me Everyday is colder
4.
5.
Outside Buried on the hillside Underneath the grass With my love Outside Buried on the hillside Buried with my love After all these years Buried with my love After all these years Buried with my love After all these years Hillside Next to the apartment Over by the river In the shadow of the grove Hillside Next to the apartment Over by the river In the shadow of the grove Buried with my love After all these years Buried with my love After all these years Outside Buried on the hillside Buried with my love After all these years
6.
And Now... 04:21
The truth will set you free But only once it’s done with you That spider it will breath In wait to snatch it up from you Your arthritic movements Caught up in narcotic truancy They appeared to take advantage Of our social fluency And now… The things that happen Don’t require your permission In fact they’ll grab you by the neck Shut you up and make you listen Your sad charm and pricked up arm The coin tossed up for you Silky web of devil’s thread Stole what was left to lose And now… The forced perspective In a rectangle of sky The loamy rain mixed with The pain of last goodbyes Flip my shovel ‘round To struggle with the millstone The shattered husks that gathered near To share all that was known And now… I am a man at least In sentimental value Strapped into your pine box The power shivered into Now I see how Superstitions are created Simple cures for bleak unpures That all are fated to And now….
7.
How can our fathers Lead us down these trodden roads Passed a thousand times before us By just as empty souls How can our fathers Put generations on our backs Push us out the front door And seal themselves in wax I wanna find myself right in their eyes Hold my shoulders high So I’ll see ya later Western Mass Leave those mills spinning Burn these letters and pills Toss that town in the trash Get on this plane How can our fathers Steal our passions in the quick Put us on the paper And chain it to our wrists How can our fathers Drop us on our mothers’ arms Cut the umbilical chord And then move along I wanna find myself right in their arms Hold me tight So I’ll see ya later Western Mass Leave those mills spinning Burn these letters and pills Toss that town in the trash Get on this plane So I’ll see ya later Western Mass Leave those mills spinning Burn these letters and pills Toss that town in the trash Get on this plane How can my father
8.
9.
10.
Guidance 05:46
I can’t seem To pick my eyes up off the ground Every fork Leads me back to where I’ve been before Tell me stranger How do I pick The rubber from my jaw Can my legs Push me forward when the rest of me is dead Where’s the sign Pointing clear directions in a straight line Tell me lover How do I free The sour come to pass Pleading for guidance Point me towards your northern star Hoping for an answer A ways to go though I’ve come so far Does my heart Have the courage to keep me from falling apart Softly thrown Into the deeper edges of everything I’ve known Tell me mother How do I sleep between faith and trust Pleading for guidance Point me towards your northern star Hoping for an answer A ways to go though I’ve come so far Pleading for guidance Point me towards your northern star Hoping for an answer A ways to go though I’ve come so far
11.
One foot in front of the other One foot in front of the other One foot in front of the other Until I get home One bend of the knee One bend of the knee One bend of the knee Take me where I need to be Til my soles are worn Til my soles are worn Til my soles are worn Bring me back to where I’s born One foot in front of the other One foot in front of the other One foot in front of the other Until I get home Until I get home
12.
Fatima 02:50
(Excerpt from The Alchemist by Paulo Coelho) At that moment, it seemed to him that time stood still, and the Soul of the World surged within him. When he looked into her dark eyes, and saw that her lips were poised between a laugh and silence, he learned the most important part of the language that all the world spoke—the language that everyone on earth was capable of understanding in their heart. It was love. Something older than humanity, more ancient than the desert. Something that exerted the same force whenever two pairs of eyes met, as had theirs here at the well. She smiled, and that was certainly an omen—the omen he had been awaiting, without even knowing he was, for all his life. The omen he had sought to find with his sheep and in his books, in the crystals and in the silence of the desert. It was the pure Language of the World. It required no explanation, just as the universe needs none as it travels through endless time. What the boy felt at that moment was that he was in the presence of the only woman in his life, and that, with no need for words, she recognized the same thing. He was more certain of it than of anything in the world. He had been told by his parents and grandparents that he must fall in love and really know a person before becoming committed. But maybe people who felt that way had never learned the universal language. Because, when you know that language, it’s easy to understand that someone in the world awaits you, whether it’s in the middle of the desert or in some great city. And when two such people encounter each other, and their eyes meet, the past and the future become unimportant. There is only that moment, and the incredible certainty that everything under the sun has been written by one hand only. It is the hand that evokes love, and creates a twin soul for every person in the world. Without such love, one’s dreams would have no meaning.
13.
I’ve been struggling since you left me One deep breath to calm myself down Talking to myself for three years Say I’ll come around I’ll come around Often I’ll slip into a daydream Wander far lands and memories And crash back to my day to day Where nothing’s changed Nothing’s changed It is easy to get angry Looking in the mirror, like what have I done To pull myself out the fog Say I’m good enough Good enough At the risk of coming off as trite I would say I’ve been lonely And I wish that I could change the way That things have passed Things have passed
14.
Sunshine 02:20
Sunshine won’t you blow my mind won’t you take some time and set me free Lifetime I will not spend my life I will not waste my time So unhappily But the grass is getting greener And the trees are greener too In the brightness of their beauty I can marvel at the view Highlight I’m guided by the light You can’t control my high So leave me be And my friend Please don’t follow me I have to stop this fiend From corrupting me My body’s getting cleaner I can feel it in the air Another glimpse of freedom Rustles through my hair Sunshine I have woke to thee Cracking through the trees I give my thanks

about

Guidance, Ian's indie-folk debut is an honest and revealing reflection of his descent into and rise out of depression following the themes of manhood, love, self-worth, and family, filled with dynamic guitar, sweet melodies, and powerful arrangements.


This album is dedicated to my grandfather, Elliot Steinberg, known to me as Poppy, and to Eli Todd. I miss them both dearly.

I would like to give incredible thanks to my family and friends for their support in my music and life. I certainly wouldn't be here without them. Specifically, I would like to thank Danny Kossow and Isaac Silber for their insight, Dan Kruglak and Gabe Millman for their ears, Jack Caron for designing the artwork for this album, and Jecca for being an unwavering light. Special thanks to Isaac, Dani Hill, Jens Hybertson, and the Nohomie Choir for performing on this album, to Stephen Petegorsky for the photography used in the album imagery, and to Paulo Coelho for writing "The Alchemist" which inspired me to write "Fatima" and where the text of that piece came from.

credits

released June 4, 2019

All songs written, produced, recorded, and mixed by Ian Steinberg
All guitar, vocals, bass by Ian Steinberg
Drums by Isaac Silber
Cello on "Sunshine" by Dani Hill
Violin on "Sunshine" by Jens Hybertson
Chorus vocals on "One Foot One Knee" by Nohomie Choir
Mastered by Gabe Millman
Cover art by Jack Caron

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Ian Steinberg Burlington, Vermont

Hailing from Western Massachusetts, Ian brings New England sensitivity with driving guitar, poignant lyrics, and a musical sensibility honed by over a decade of performance. Born from the campfire and the conservatory, Ian delivers a nuanced and invigorating show whether he's in a concert hall or your living room. Ian will wrap you in song and leave you wandering in his storytelling. ... more

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